The Things They Carried
A Work of FictionBook - 1998
The Things They Carried depicts the men of Alpha Company: Jimmy Cross, Henry Dobbins, Rat Kiley, Mitchell Sanders, Norman Bowker, Kiowa, and the character Tim O'Brien, who has survived his tour in Vietnam to become a father and writer at the age of forty-three.
Taught everywhere--from high school classrooms to graduate seminars in creative writing--it has become required reading for any American and continues to challenge readers in their perceptions of fact and fiction, war and peace, courage and fear and longing. The Things They Carried won France's prestigious Prix du Meilleur Livre Etranger and the Chicago Tribune Heartland Prize; it was also a finalist for the Pulitzer Prize and the National Book Critics Circle Award.
From Library Staff
JCLMandaW Oct 13, 2017
This book tells us that war is hell. War is friendship. War is pain. War is poetry. But mostly, war is hell.
A classic work of American literature that has not stopped changing minds and lives since it burst onto the literary scene, The Things They Carried is a ground-breaking meditation on war, memory, imagination, and the redemptive power of storytelling.
The Things They Carried depicts the men of A... Read More »
October 3rd book discussion!
JCLJanineM Apr 03, 2013
This is a book about how ordinary men thrust into the role of soldier in the midst of war use stories to deal whith their experiences. Excellent.
From the critics
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“They carried the sky. The whole atmosphere, they carried it, the humidity, the monsoons, the stink of fungus and decay, all of it, they carried gravity.” - p. 14
“A true war story is never moral. It does not instruct, nor encourage virtue, nor suggest models of proper human behavior, nor restrain men from doing the things men have always done. If a story seems moral, do not believe it. If at the end of a war story you feel uplifted, or if you feel that some small bit of rectitude has been salvaged from the larger waste, then you have been made the victim of a very old and terrible lie. There is no rectitude whatsoever. There is no virtue. As a first rule of thumb, therefore, you can tell a true war story by its absolute and uncompromising allegiance to obscenity and evil.” - pp.65-66
“For the common soldier, at least, war has the feel - the spiritual texture - of a great ghostly fog, thick and permanent. There is no clarity. Everything swirls. The old rules are no longer binding, the old truths no longer true. Right spills over into wrong. Order blends into chaos, love into hate, ugliness into beauty, law into anarchy, civility into savory. The vapors suck you in. You can’t tell where you are, or why you’re there, and the only certainty is overwhelming ambiguity.” - p. 78
“For Rat Kiley, I think, facts were formed by sensation, not the other way around, and when you listened to one of his stories, you'd find yourself performing rapid calculations in your head, subtracting superlatives, figuring the square root of an absolute and then multiplying by maybe.” - pp.85-86
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